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mercoledì 16 aprile 2014

"SOS Perfumes" initiative.

Consumers' Initiative for the Protection of Perfumes as a Cultural Asset advocates an alternate modification of Regulation EC No. 1223/2009 on Cosmetics Products, and hereby objects to the changes currently proposed, which would render colourless the range of European perfumery.

venerdì 11 aprile 2014

How to recognize GUY LAROCHE perfumes

Guy Laroche's notable perfumes are: Fidji (year 1966), L'Eau Folle (1970), Drakkar (1972), J'ai Osè (1977), Drakkar Noir (1982), Clandestine (1986), Horizon (1993). 
Most of  scents had the "copyright" indication, including the year ("Copyright Parfums Guy Laroche, year xxxx")

martedì 8 aprile 2014

CORIOLAN (Guerlain, 1998)

Top: Bergamot, lemon, neroli, clary sage,
Heart: Ginger, Juniper, nutmeg, ylang-ylang, 
Base: Patchouli, oakmoss, vetiver, benzoin,
Nose : Jean Paul Guerlain
year: 1998
Longevity high (7 hours)
Sillage: high
Rating: 10/10

An unique bottle, an extraordinary scent, a long and incredible drydown, an unusual history, a resounding commercial failure. "Coriolan", a masculine scent from Guerlain, launched in 1998, was all these things, and even more.

martedì 1 aprile 2014

venerdì 28 marzo 2014

"VU par Ted Lapidus" (1975)

Year 1975: the Parfum, according to Ted Lapidus.

Ted Lapidus, who is he? Today is not a very well known name, but during the Seventies was one of the most popular French designers, and it is very easy to find his advertising in popular and fashion magazines. "Vu par Ted Lapidus" (in French: the perfume "according to/from the point of view of Ted Lapidus") was his first creation, dating back to 1975.

domenica 16 marzo 2014

How to recognize CACHAREL perfumes

Among the most important perfumes produced by CACHAREL, we should consider: ANAIS ANAIS (1978), POUR HOMME (1981), LOULOU (1987), EDEN (1994), NOA (1998), NEMO (2000), GLORIA (2002).  Here is a short guide about recognizing CACHAREL perfumes.

mercoledì 12 marzo 2014

Thought of the Day.

“Odors have a power of persuasion stronger than that of words, appearances, emotions, or will. 
 There is no remedy for it.” 
                                                     (Patrick Suskind)
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